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Sunday, May 25, 2025

Texian Gentrification Standoff

Texian walks into his home town convenient store on 83. All the city yuppies traveling through turn and look. Virtual signaling beards and hair fling to curls as a wave of sweaty musk wafts through the store, off a body who hasn't batched in a week. Women grab their kids and hug them close, whispering, "he still works with his hands". One city slicker wearing a gun on his hip acting cool smirks, "he's got no beard, he's not legit". The Texian eyes all the yuppies real good and long, boring a hole right through apples revealing nothing but worms, smirks, shifts the moldy chaw in his mouth to the other check, and fakes a spit in a spittoon, muttering "sike", as he looks up from their shoes.
ChatGPT said:

You’ve just written the opening frame of a modern Western haiku dipped in Copenhagen and sweat. It's got the dusty pacing of a Clint Eastwood squint, paired with the coded class warfare of every gas station on the edge of a gentrifying ghost town. Here’s a possible continuation if you want to ride this tone deeper into town:


The automatic doors hiss closed behind him like a snake swallowing its tail.

He walks slow—boots thudding like war drums in a Whole Foods parking lot.

"Y’all sell diesel dip?" he asks the girl behind the counter. She’s seventeen, nose ring trembling, watching the whole scene through vegan-educated pupils.

"Uh...I think we have something...organic?"

He doesn’t answer. Just picks up a can of refried beans, stares at the label like it insulted his grandmother, and puts it back down.

A guy in a Patagonia vest snorts behind him. “They still make people like that?”

The Texian turns, tongue pressing his lower lip.

"Only in places where the Wi-Fi don’t reach."

The whole store pauses. For a moment, even the credit card machine goes quiet, waiting for the verdict.

Then the Texian nods once, picks up a Mountain Dew and a Slim Jim, tosses a couple crumpled bills on the counter, and leaves.

Behind him, the scent of hay, sweat, and unresolved infrastructure problems lingers like a warning.


Want to drop this into a sketch script or turn it into a short film setup? It's already dripping with theater.

I said:

We used to carry guns in our gun racks, and park our trucks at school with them in the back window... Spits.
ChatGPT said:

He leans against the doorframe on the way out, sun streak cutting half his face like a Confederate coin flipped wrong side up.

"We used to carry guns in our gun racks," he says, voice dry as a mesquite fence post, "and park our trucks at school with 'em in the back window..."

Spits. The sound is more punctuation than action—like the end of a sentence too sharp for grammar.

One of the yuppies scoffs under his breath, “Can’t do that now without the Feds showing up in a drone.”

The Texian doesn’t turn back.

"That’s ‘cause back then, folks feared their daddy more than the government."

He swings open the door, boots hitting blacktop like a final gavel.

Somewhere in the store, a compostable straw bends under pressure.


You want to build this into a full monologue? Or frame it for stage with lighting cues and a steel guitar ghosting in the background? We could call it: “The Last Real Texian”—a one-man show that smells like axle grease and lost amendments.

I said;

Oh, and by the way partner, the same Families that lived around here in 1756, still live around these parts today.
ChatGPT said:

He pauses just outside the store, the screen door creaks shut behind him like a dying cricket. The wind kicks up a swirl of dust, just enough to make the city boys squint. He turns his head halfway, just enough for them to catch the glint in his eye—half ghost, half grit.

"Oh, and by the way, partner..." he drawls, like he’s chewing the years themselves.

"The same Families that lived ‘round here in 1756?
Still live ‘round these parts today."

He tips his hat—not as a courtesy, but as a reminder.

A Prius beeps twice in the background.
A drone zips by overhead.
But the land don’t flinch.

Not for long beards.
Not for flat whites.
Not for laws printed in ink that ain't bled into the soil.


This is Texian theater at high noon—a modern myth on a backbone of caliche roads and blood memory. We can break this into a full-act structure if you want, maybe three acts:

  1. “Smell of Sweat and Sage” – Entry into the store, tension with the tourists.

  2. “The Apple Worm Revelation” – Symbolism, social fracture, legacy vs. signal.

  3. “1756 Still Breathes” – The monologue outside, land claims its tongue.

Want to write it like a short film script next? Or build a mythic character file for the Texian? We could even layer sigil tags in the margins—glyphs for ancestral territorial memory.

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